Then, Rose told Jack that she wanted to be drawn nude wearing nothing but her beautiful necklace, the Heart of the Ocean. Even if one views the story as overplayed, the film as overhyped, the romance as overly trite, or the entire thing simply tired, one cannot help but marvel at sheer scope and technical perfection that plays out on the screen in what is a deserving classic and certainly one of the top handful of movies ever made. Meanwhile, a drifter and poor American artist named Jack Dawson and his best friend Fabrizio De Rossi win a pair of passenger's steerage tickets to the ship in a poker game minutes before the ship takes off. Few movies achieve that level of greatness -- 's Star Wars comes to mind -- which places Titanic in rare company indeed. So far, it has ranked on the following six lists:.
Titanic Blu-ray Review
Winslet enriches Rose with genuine emotions that extend beyond love and into something far beyond the common definition of the word, and it's that soulful, genuine bond she develops that carries the movie on through to conclusion and extends to the elder Rose at the end of the film and for Titanic 's most story- and character-defining scene. The film is dotted with excellent work from Kathy Bates Misery as the famed "unsinkable" Molly Brown, Frances Fisher as Rose's hardheaded mother, and Victor Garber as the affable and humble ship designer, yet it's Billy Zane in the "villain" role who shines brightest.
Zane's so immersed in character, so tied to the clothes and the riches and the empty-eyed stare into the gold-plated chasm that is his life that he becomes one of the finest villains in recent memory and one of the easiest characters to root against. His charisma becomes jealousy and the jealousy becomes a greater need for overwhelming control which finally yields an uncontrollable rage as the character is brought to full fruition with as seamless a cadence as that of the budding romance between Jack and Rose.
His descent into madness but also his steadfastness in his nearly unbreakable sense of self-worth and stubborn insistence on winning -- or spinning a win -- at any costs shapes the film's best character and its finest performance. It has been a privilege playing with you tonight. Not overshadowing but certainly hanging over the romance is the pending tragedy that will sink the ship and stress the newly formed relationship and recently broken engagement both to their limits.
The plot turning point that is the sinking is no mystery yet it comes tragically and slowly and, as the movie's been so absorbing, still almost unexpectedly in the greater context of the plot and the film's dramatic rhythm shaped by interpersonal relationships.
Perhaps Titanic 's greatest marvel is its ability to make a moment everyone in the audience knows is coming so psychologically intense, emotionally painful, and dramatically involved. The lead-up to the crash and the events immediately following the ship's collision with the iceberg are crafted with a simple intensity, underscored by a steady, even, and reserved musical rhythm that jolts the audience into a sense of dread, not yet despair or hopelessness, but a constant, underlying fear of what's to come.
The crew's quiet anxiousness is countered by some of the passengers' nonchalant reaction to the collision as they use chunks of ice as soccer balls and hang over the side rails to marvel at the woulds suffered by the mighty vessel, caused by nothing other than the surface on which it rides only reformed and hardened and fatefully floating in its path. What follows is an eerie foreknowledge of doom and a sense of hopelessness that yields unimaginable choices, and, in the end, panic that Director James Cameron seems to extend into the theater, pulling the audience onto the ship and, in its final moments, having them dangle from its end, gripping tightly and fearful of falling and being pulled into and under the frigid waters that will be a liquid tomb for far too many souls.
Watching the film from theater's safety, knowing what is to come, and understanding that it's fact reshaped as fiction cannot desensitize the audience to the tragedy or break their connection to the romance that's transformed in an instant from a playful interlude of match-made souls to a struggle for survival against man, fallible manmade objects, and nature herself.
The tragedy extends to the characters, to the realization of what's happening and what's to come, to the somber undercurrent of the ship's band's upbeat notes and the sense of loss of love in life but the hope that it will live forever in the hearts and souls of the characters who found one another and, thereby, found themselves in the shadow of tragic destiny.
From afar, it's a surreal experience to watch it all unfold. From within, let nobody else ever know. She's the largest moving object ever made by the hand of man in all history.
Cameron's Titanic is a mesmerizing masterpiece of historical recreation, of the ship on a bustling dock preparing to sail, of its majesty cruising the Atlantic waters, of the slow demise of the unsinkable ship, of the rise of the waters and the sinking of the iron and steel. From the film's opening shots to the culmination of Jack and Rose's passion is one of cinema's finest love stories, and from the moment of the collision to the ship's last taste of air is perhaps cinema's most frenzied, intense, prolonged, and beautifully crafted string of events.
Titanic is truly a marvel of modern filmmaking, a grand, spellbinding, and nearly seamless recreation not of an object but of a history. It's derived from painstaking research, perfected cinema technique, digital excellence, and picture-perfect model work. The movie mesmerizes from the very beginning as Lovett's vessel approaches the wreckage and he offers his corny but accurate monologue about the scope and importance of the mission as well as the historical significance of the Titanic itself.
The movie perfectly displays the haunting image of the ship in its final resting place, a watery still-life depiction of the chilling final moment of its existence and then the sudden unrest of its settled remnants, swept-up and robotically overturned debris interrupted from its slow reversion back to nature.
The movie never lets go from there. It's one of the most absorbing spectacles ever created, and it's the dedication to perfection that makes Titanic complete. From the model makers to the digital artists, from the costume designers to the set decorators, from the actors to the director, from the cinematographer to the composer, this is a rare movie where everything is just right , where everything feels right, a movie in which every last little detail comes together with such precision that even "seamless" is too weak a word to describe how all-encompassing it truly is.
Few movies achieve that level of greatness -- 's Star Wars comes to mind -- which places Titanic in rare company indeed. Even if one views the story as overplayed, the film as overhyped, the romance as overly trite, or the entire thing simply tired, one cannot help but marvel at sheer scope and technical perfection that plays out on the screen in what is a deserving classic and certainly one of the top handful of movies ever made. Titanic 3D Blu-ray, Video Quality.
Titanic 3D Blu-ray, Audio Quality. Other Editions 4-disc set 4-disc set Amazon. Use the thumbs up and thumbs down icons to agree or disagree that the title is similar to Titanic. You can also suggest completely new similar titles to Titanic in the search box below. Paramount Pictures has provided us with a brand new trailer for James Cameron's blockbuster Titanic , which celebrates its 20th anniversary this year.
The film will return to select theaters nationwide for an exclusive one-week engagement starting December This unannounced sale can expire at any time. Titles in the offer include: Dark of the Moon For the week ending on September 16th, Universal Studios' Snow White and the Huntsman held the highest Blu-ray and overall home media sales figures.
Official Thread Jan 23, Titanic 3D Blu-ray Screenshots. Select category Add custom category. The wreckage is home to a rich history simply waiting to be unburied from nearly one hundred years at the bottom of the Atlantic.
But expedition leader Brock Lovett Bill Paxton, Apollo 13 isn't interested in historical records or trinkets or more fully completing the puzzle that is the sinking of the Titanic. Legend has it that the heart-shaped diamond went down with the ship, that it was purchased by the son of a Pittsburgh steel tycoon and meant as a luxurious gift for his bride-to-be. Lovett's expedition is headline news around the world. Titanic frenzy is all the rage, and Lovett appears on talk television to discuss his latest find, the safe believed to once house the necklace and inside of which the crew discovered not their prize but rather a clue: The story piques the interest of an aged Rose Dawson Calvert Gloria Stuart who contacts Lovett and claims to be the woman in the drawing.
She's flown to the expedition site and recounts her tale of romance, self-discovery, and survival aboard the ill-fated luxury liner. From this minute, no matter what we do, Titanic will founder. They are returning to America where the couple is to be married, much to the approval of Rose's traditional mother Ruth Frances Fisher, Unforgiven.
Despite Cal's vast fortune, the promise of great wealth, an easy life for her and her mother, and the gift of a marvelous gem known as the "Heart of the Ocean," Rose is displeased with her life and the prospect of a long, tedious, and controlled marriage to a man she does not -- and cannot -- truly love.
When she chooses to end it all by flinging herself from the rear of the ship and into the freezing Atlantic Ocean, she's talked down by a handsome and kindly young man from steerage named Jack Dawson Leonardo DiCaprio, Shutter Island , an artistically inclined nomad who won his tickets in a game of poker minutes prior to the Titanic 's departure.
The two form an instant bond and recognize a spark between themselves, an unmistakable chemistry and an unbreakable connection that knows not wealth, privilege, background, or future prospects. Jack is "rewarded" for saving Rose's life with an invitation to a first-class dinner with, amongst others, Rose, Ruth, Cal, his entourage, and the Titanic 's kindly designer, Thomas Andrews Victor Garber, The Entitled. Rose grows to admire Jack's sense of freedom, his charisma, charm, carefree attitude, and self-worth despite meager origins and a largely aimless life.
Cal despises him for his background, poor upbringing, and financial instability. Slowly but surely, Rose and Jack's bodies and souls draw closer together, igniting a whirlwind love affair born of the heart yet also born on the eve of one of the great disasters in human history. Outwardly, I was everything a well-brought-up girl should be. Inside, I was screaming. At its most basic, Titanic seems like a film shaped by contrasts, of wealth and poverty and upper decks and lower decks and the bridge and the boiler room and steel and ice and sinkable ships and notions of unsinkable ships.
But it's also a tale of man's ability -- should he so choose -- to overlook differences and find something deeper inside, to ignore convention and follow the heart rather than the pocketbook or the book of life that demands one thing when the heart requires another.
For Rose, it matters not the clothes on the back, the name on the checkbook, the sum in the bank account, the title on the document, or the accommodations on the ship. For Jack, the contrasts are merely obstacles to overcome in his pursuit of Rose, and truly, contrast is only the clothes on the back and the cut of the hair; Cal fails to recognize Jack in tuxedo, seeing only the suit rather than the man inside of it, reflecting his concern for and preoccupation with the superficial and the artificial rather than that which truly makes a man a man.
On the other side, Rose discovers the man behind the lesser clothes and "substandard" accommodations, discovering a genuine heart, a real talent, and an honest love where high society tells her such things cannot exist. Jack sees in Rose a human being yearning to stretch her limits and live the life she wants, while Cal sees only a possession, a living and breathing jewel meant to be a decoration on his arm rather than a loving, soul-matched companion in his heart.
All of the contrasts -- structural, dramatic, thematic, personal -- in the movie could not be more obvious. The end message seems to be that, no matter where life leads, the ups and downs and good times and disasters together cannot break apart true love, that sincere renouncement of society's manufactured contrasts and taboo borders, that relishing of the moment and the memories and experiences of all of life's joys even built from a fleeting moment before the world literally crumbles and floods and freezes all around.
Titanic was called the ship of dreams. The Jack and Rose romance highlights the movie even beyond the technical achievements and the film's uncanny ability to totally absorb the audience into both the modern story and detailed history of Titanic ; more on those in a moment. The romance develops beautifully and steadily, with a sense of authenticity even through those contrasts which superficially shape the film but are tossed aside to give it its purpose and particularly its heart, both in a literal and a figurative sense.
DiCaprio and Winslet share a remarkable chemistry that's a product of more than words on a page but a true, honest sense of togetherness even from the first glance and dialogue exchange, felt immediately through the social boundaries and despite the forbidden contact of merely occupying the same space, let alone a stare or a touch or whatever may come as the relationship blossoms. The characters cannot ignore society's boundaries -- Rose in particular -- yet neither can deny the sense of fate and the immediate connection shared between them as they seem to instantly envision a destiny, as they see beyond the past and the troubles of the present and into a future made of togetherness and true love molded into their own hearts and not into society's prefabricated one-size-does-not-fit-all box.
The relationship is as agreeable as it believable; audiences want to see them together, not only briefly on the ship but for their love to grow so strongly that it can defeat the vessel's obstacles so the two may live happily ever after.
But so strong is the connection that "happily ever after" isn't about old age and sheer time together but the experience of an unbreakable, everlasting love that can withstand ice, chilled water, broken ships, even death itself, a love that quickly reaches the cosmic zenith of the emotion yet finds its demise in the physical realm with an equally quick drop.
It's the truest love in one of the most heartfelt yet heartbreaking romances ever displayed on the cinema screen, and no matter its meteoric ascent and rapid decent, hearts this close, this true, this meant for one another will always go on, as the song suggests.
You could almost pass for a gentleman! Titanic 's performances are nearly as flawless as the romance. Leonardo DiCaprio's Jack can be a touch stiff in places, with a few scenes coming across so clumsily that it feels like one of those old rock-and-hard-place problems where he's trying so hard not to act that he can't shake the feel that he is acting.
Fortunately, such occurrences are only outliers to a fairly solid, often seamless performance that hints at his more grounded, deeper performances to come. Leo works very well with his eyes, conveying a genuine sense of spirit and love -- not lust -- towards Rose, most evident as he draws her wearing nothing but the necklace. Kate Winslet's effort is on par with DiCaprio's, though there's more of an inner struggle and complexity at work as she sorts through not whether she wants to be with Jack -- there's no question about that -- but whether she can be with Jack.
The climactic scene, which features the breakup of the ship directly before it sinks as well as its final plunge to the bottom of the Atlantic, involved a tilting full-sized set, extras, and stunt performers. Cameron criticized previous Titanic films for depicting the liner's final plunge as a graceful slide underwater.
He "wanted to depict it as the terrifyingly chaotic event that it really was". A few attempts to film this sequence with stunt people resulted in some minor injuries, and Cameron halted the more dangerous stunts.
The risks were eventually minimized "by using computer generated people for the dangerous falls". There was one "crucial historical fact" Cameron chose to omit from the film — the SS Californian was close to the Titanic the night she sank but had turned off its radio for the night, did not hear her crew's SOS calls, and did not respond to their distress flares.
That wasn't a compromise to mainstream filmmaking. That was really more about emphasis, creating an emotional truth to the film," stated Cameron. He said there were aspects of retelling the sinking that seemed important in pre- and post-production, but turned out to be less important as the film evolved.
It was a clean cut, because it focuses you back onto that world. If Titanic is powerful as a metaphor, as a microcosm, for the end of the world in a sense, then that world must be self-contained. During the first assembly cut, Cameron altered the planned ending, which had given resolution to Brock Lovett's story. In the original version of the ending, Brock and Lizzy see the elderly Rose at the stern of the boat and fear she is going to commit suicide.
Rose then reveals that she had the "Heart of the Ocean" diamond all along but never sold it, in order to live on her own without Cal's money. She tells Brock that life is priceless and throws the diamond into the ocean, after allowing him to hold it. After accepting that treasure is worthless, Brock laughs at his stupidity.
Rose then goes back to her cabin to sleep, whereupon the film ends in the same way as the final version. In the editing room, Cameron decided that by this point, the audience would no longer be interested in Brock Lovett and cut the resolution to his story, so that Rose is alone when she drops the diamond.
He also did not want to disrupt the audience's melancholy after the Titanic 's sinking. Our job was done by then If you're smart and you take the ego and the narcissism out of it, you'll listen to the film, and the film will tell you what it needs and what it does not need".
The version used for the first test screening featured a fight between Jack and Lovejoy which takes place after Jack and Rose escape into the flooded dining saloon, but the test audiences disliked it. Lovejoy goes after the pair in the sinking first-class dining room.
Just as they are about to escape him, Lovejoy notices Rose's hand slap the water as it slips off the table behind which she is hiding. In revenge for framing him for the "theft" of the necklace, Jack attacks him and smashes his head against a glass window, which explains the gash on Lovejoy's head that can be seen when he dies in the completed version of the film. In their reactions to the scene, test audiences said it would be unrealistic to risk one's life for wealth, and Cameron cut it for this reason, as well as for timing and pacing reasons.
Many other scenes were cut for similar reasons. The soundtrack album for Titanic was composed by James Horner. He had tried twenty-five or thirty singers before he finally chose Sissel as the voice to create specific moods within the film. Horner additionally wrote the song " My Heart Will Go On " in secret with Will Jennings because Cameron did not want any songs with singing in the film.
Horner waited until Cameron was in an appropriate mood before presenting him with the song. After playing it several times, Cameron declared his approval, although worried that he would have been criticized for "going commercial at the end of the movie". They expected Cameron to complete the film for a release on July 2, The film was to be released on this date "in order to exploit the lucrative summer season ticket sales when blockbuster films usually do better".
This eventually led to more positive media coverage. Titanic was the first foreign-language film to succeed in India, which has the largest movie-going audience in the world. The film received steady attendance after opening in North America on Friday, December 19, By the end of that same weekend, theaters were beginning to sell out.
Before Titanic ' s release, various film critics predicted the film would be a significant disappointment at the box office , especially due to it being the most expensive film ever made at the time. It was a certainty," he stated. A film critic for the Los Angeles Times wrote that "Cameron's overweening pride has come close to capsizing this project" and that the film was "a hackneyed, completely derivative copy of old Hollywood romances". When the film became a success, with an unprecedented box office performance, it was credited for being a love story that captured its viewers' emotions.
The film's impact on men has also been especially credited. We admire how he suggests nude modeling as an excuse to get naked. So when [the tragic ending happens], an uncontrollable flood of tears sinks our composure," he said. In , the BBC analyzed the stigma over men crying during Titanic and films in general. From a very young age, males are taught that it is inappropriate to cry, and these lessons are often accompanied by a great deal of ridicule when the lessons aren't followed.
Scott Meslow of The Atlantic stated while Titanic initially seems to need no defense, given its success, it is considered a film "for year-old girls" by its main detractors. He argued that dismissing Titanic as fodder for year-old girls fails to consider the film's accomplishment: He acknowledged his own rejection of the film as a child while secretly loving it.
It's a great movie for year-old girls, but that doesn't mean it's not a great movie for everyone else too. Quotes in the film aided its popularity. Titanic 's catchphrase "I'm the king of the world! Cameron explained the film's success as having significantly benefited from the experience of sharing.
They want to grab their friend and bring them, so that they can enjoy it," he said. That's how Titanic worked. In response to this, "[m]any theatres started midnight showings and were rewarded with full houses until almost 3: Titanic held the record for box office gross for twelve years. For one, "Two-thirds of Titanic 's haul was earned overseas, and Avatar [tracked] similarly Avatar opened in markets globally and was no.
Some pretty good movies have come out in the last few years. Titanic just struck some kind of chord. It's just a matter of time," he said. Titanic garnered mainly positive reviews from film critics, and was positively reviewed by audiences and scholars, who commented on the film's cultural, historical and political impacts.
The site's critical consensus reads, "A mostly unqualified triumph for Cameron, who offers a dizzying blend of spectacular visuals and old-fashioned melodrama.
With regard to the film's overall design, Roger Ebert stated, "It is flawlessly crafted, intelligently constructed, strongly acted, and spellbinding Movies like this are not merely difficult to make at all, but almost impossible to make well.
You don't just watch Titanic , you experience it. James Cameron's recreation of the sinking of the 'unsinkable' liner is one of the most magnificent pieces of serious popular entertainment ever to emanate from Hollywood. The romantic and emotionally charged aspects of the film were equally praised. Urban of Urban Cinefile said, "You will walk out of Titanic not talking about budget or running time, but of its enormous emotive power, big as the engines of the ship itself, determined as its giant propellers to gouge into your heart, and as lasting as the love story that propels it.
Writer-director James Cameron has restaged the defining catastrophe of the early 20th century on a human scale of such purified yearning and dread that he touches the deepest levels of popular moviemaking. Some reviewers felt that the story and dialogue were weak,  while the visuals were spectacular. Kenneth Turan 's review in the Los Angeles Times was particularly scathing.
Dismissing the emotive elements, he stated, "What really brings on the tears is Cameron's insistence that writing this kind of movie is within his abilities. Not only is it not, it is not even close. Titanic suffered backlash in addition to its success. In , the film topped a poll of "Best Film Endings",  and yet it also topped a poll by Film as "the worst movie of all time".
Cameron responded to the backlash, and Kenneth Turan's review in particular. He described the script as earnest and straightforward, and said it intentionally "incorporates universals of human experience and emotion that are timeless — and familiar because they reflect our basic emotional fabric" and that the film was able to succeed in this way by dealing with archetypes.
He did not see it as pandering. Empire eventually reinstated its original five star rating of the film, commenting, "It should be no surprise then that it became fashionable to bash James Cameron's Titanic at approximately the same time it became clear that this was the planet's favourite film.
The film garnered fourteen Academy Award nominations, tying the record set in by Joseph L. Mankiewicz 's All About Eve  and won eleven: James Cameron's original screenplay and Leonardo DiCaprio were not nominees. The Return of the King would also match this record in Since its release, Titanic has appeared on the American Film Institute 's award-winning Years… series.
So far, it has ranked on the following six lists:. Titanic was released worldwide in widescreen and pan and scan formats on VHS and laserdisc on September 1, A DVD version was released on August 31, in a widescreen-only non- anamorphic single-disc edition with no special features other than a theatrical trailer. Cameron stated at the time that he intended to release a special edition with extra features later.
This release became the best-selling DVD of and early , becoming the first DVD ever to sell one million copies. This edition contained a newly restored transfer of the film, as well as various special features. The two-disc edition was marketed as the Special Edition , and featured the first two discs of the three-disc set, only PAL -enabled. A four-disc edition, marketed as the Deluxe Collector's Edition , was also released on November 7, Available only in the United Kingdom, a limited 5-disc set of the film, under the title Deluxe Limited Edition , was released with only 10, copies manufactured.
Unlike the individual release of Ghosts of the Abyss , which contained two discs, only the first disc was included in the set. Titanic was released on Blu-ray as a single disc variant and a 2 disc version featuring special features on September 10, With regard to television broadcasts, the film airs occasionally across the United States on networks such as TNT. Turner Classic Movies also began to show the film, specifically during the days leading up to the 82nd Academy Awards.
A 3D re-release was created by re-mastering the original to 4K resolution and post-converting to stereoscopic 3D format. The scene was replaced with an accurate view of the night-sky star pattern, including the Milky Way , adjusted for the location in the North Atlantic Ocean in April The change was prompted by astrophysicist Neil deGrasse Tyson , who had criticized the scene for showing an unrealistic star pattern.
He agreed to send film director Cameron a corrected view of the sky, which was the basis of the new scene. He said, "The 3D intensifies Titanic. Caught up like never before in an intimate epic that earns its place in the movie time capsule. He wrote, "For once, the visuals in a 3-D movie don't look darkened or distracting.
They look sensationally crisp and alive. The 3D conversion of the film was also released in the 4DX format in selected international territories, which allows the audience to experience the film's environment using motion, wind, fog, lighting and scent-based special effects. For the 20th anniversary of the film, Titanic was re-released in cinemas in Dolby Vision in both 2D and 3D for one week beginning December 1, Titanic Live was a live performance of James Horner's original score by a piece orchestra, choir and Celtic musicians, accompanying a showing of the film.
From Wikipedia, the free encyclopedia. Titanic Theatrical release poster. James Cameron Jon Landau. Music from the Motion Picture and Back to Titanic. List of accolades received by Titanic. Retrieved July 29, Retrieved February 2, British Board of Film Classification. Retrieved November 8, Archived from the original on November 17, Retrieved November 16, On the Mass Media Negotiation of Titanic": Archived from the original on December 12, Retrieved December 12, Retrieved June 8, Retrieved July 17, The big ambiguity here is 'is she alive and dreaming' or 'is she dead and on her way to Titanic heaven?
Of course, I know what we intended The answer has to be something you supply personally; individually. The Making of Titanic. After a production as lavish and pricey as the doomed ship itself, James Cameron finally unveils his epic film. But will it be unsinkable?
Archived from the original on March 26, Archived from the original on Retrieved January 24, Retrieved June 14, Archived from the original on March 18,